Don't Make Me Go (2022)

Estranged from his family, Jonathan (Hedlund) discovers his father has decided to take himself off life support in forty-eight hours’ time. During this intensely condensed period, a lifetime of drama plays out. Robert (Jenkins) fights a zero sum game to reclaim all that his illness stole from his family. A debate rages on patients’ rights and what it truly means to be free. Jonathan reconciles with his father, reconnects with his mother (Archer), sister (Brown-Findlay), and his love (Adams) and reclaims his voice through two unlikely catalysts – a young, wise-beyond-her-years patient (Barden) and a no-nonsense nurse (Hudson). Through this intensely life affirming prism, an unexpected and powerful journey of love, laughter, and forgiveness unfolds.

A tale of four generations of men, all of whom have had their offspring at a young age: a great-grandfather, a grandfather, a father in his twenties and a son who is about 7 years old. When the oldest member passes away, the trio heads out on the road together in the Southwest to search out an old family secret that connects to their past.

Laney is an attractive, intelligent suburban wife and devoted mother of two adorable children. She has the perfect husband who plays basketball with the kids in the driveway, a pristine house, and a shiny SUV for carting the children to their next activity. However, just beneath the façade lie depression and disillusionment that send her careening into a secret world of reckless compulsion. Only very real danger will force her to face the painful root of her destructiveness and its crumbling effect on those she loves.

A car crash victim inexplicably finds himself aroused by car accidents and becomes involved with an underground subculture of like-minded souls.

After Margaret, a divorcée living in Dublin, loses her teenage son, she develops an unorthodox relationship with Joe, a homeless youth. Their tentative trust is threatened by his involvement with a violent gang and the escalation of her ex-husband's grieving rage.

Two estranged siblings return home to the sprawling ranch they once knew and loved in order to care for their ailing father.

The drug-induced utopias of four Coney Island residents are shattered when their addictions run deep.

After the death of her husband, the mother of Julie, Jack, Sue and Tom begins to suffer from a mysterious illness. Aware that she is going to have to go into hospital she opens a bank account for the children, so that they can be financially self-sufficient and will be able to avoid being taken into care by the authorities. Unfortunately she also dies and Julie and Jack (the older, teenage children) decide to hide her body in the basement so that they can have free reign of their household. Soon Tom has taken to dressing as a girl whilst Sue has become increasingly reticent, confiding only to her diary, meanwhile Jack and Julie sense an attraction developing for each other. However Julie's new beau, Derek, threatens to unearth the many dark secrets within this family as he becomes increasingly suspicious of Jack.

The government gets wind of a plot to destroy America involving a trio of nuclear weapons for which the whereabouts are unknown. It's up to a seasoned interrogator and an FBI agent to find out exactly where the nukes are.

When household tensions and a sense of worthlessness overcome Evan, he finds escape when he clings with the orphans of a throw-away society. The runaways hold on to each other like a family until a tragedy tears them apart.

Teen skater Ken Park (nicknamed Krap Nek; his name spelled and pronounced backward) kills himself at a Visalia skate park; his death bookends the lives of four other young people who knew him: Shawn, the most conventional; Tate brims with psychotic rage; Claude is habitually harassed by his brutish father and coddled, rather uncomfortably, by his enormously pregnant mother; and Peaches looks after her devoutly religious father, but yearns for freedom. They're all rather tight, or so they claim.

June and Jennifer Gibbons are twins from the only Black family in a small town in Wales in the 1970s and '80s. Feeling isolated from the community, the pair turn inward and reject communication with everyone but each other, retreating into their own fantasy world of inspiration and adolescent desires. After a spree of vandalism, the girls are sentenced to Broadmoor, an infamous psychiatric hospital, where they face the choice to separate and survive or die together.

Inspired by screenwriter Carolyn S. Briggs' memoir This Dark World, a tight-knit spiritual community is thrown off-kilter when one of their own begins to question her faith, love, and trust - in human relationships as well as in God.

A star quarterback ignites a players’ strike hours before the biggest game of the year in order to fight for fair compensation, equality, and respect for the athletes who put their bodies and health on the line for their schools.

Avery (Jones) returns to college as a competitive swimmer after getting his life back on track. But his life takes another unexpected turn when he and his two friends (Bonds, Casseus) are wrongly accused of murder and end up in prison.

A former special forces contractor is forced out of retirement as an avocado farmer in Mexico when local gangsters try to force him and his family off their farm.

Based on the writer/director's childhood, FARMING tells the story of a young Nigerian boy, 'farmed out' by his parents to a white British family in the hope of a better future. Instead, he becomes the feared leader of a white skinhead gang.

The story of the famous and influential 1960s rock band and its lead singer and composer, Jim Morrison.